THE ORIGINAL PLAY CAST
- Macheath ("Mackie Messer"/"Mack the Knife")----
- London's greatest and most notorious criminal
- Jonathan Jeremiah Peachum---
- The "Beggar's Friend". Controller of all the beggars in London, he conspires to have Mack hanged.
- Celia Peachum----
- Peachum's wife, who helps him run the business.
- Polly Peachum----
- The Peachums' daughter. After knowing Mack for only five days, she agrees to marry him.
- Jackie "Tiger" Brown---
- Police Chief of London and Mack's best friend from their army days. He is extremely upset when he must arrest Mack.
- Lucy Brown---
- Tiger Brown's daughter. Also claims to be married to Mack.
- Jenny---
- A prostitute who was romantically involved with Mack in the past. She is bribed to turn Mack in to the police. Depending on the translation, she is sometimes nickamed "Ginny Jenny" or "Low-Dive Jenny".
- The Street Singer---
- Sings 'The Ballad of Mack the Knife' in the opening scene.
PRODUCTION HISTORY
The Threepenny Opera was first performed at the Theater am Schiffbauerdamm in Berlin in 1928, and, after an initially poor reception, went on to run 400 times in the next two years. (The performance was a springboard for one of the best known interpreters of Brecht and Weill's work, Lotte Lenya, who was married to Weill.) The work subsequently became a huge success, being translated into 18 languages and performed more than 10,000 times. It was translated into French as L'Opéra de quat'sous; (quatre sous, or four pennies being the idiomatically equivalent French expression for Threepenny and, by implication, cut-price, cheap). Georg Wilhelm Pabst's French version of his film also used this title. Die Dreigroschenoper has been translated into English several times. One was published by Blitzstein in the 1950s and first staged under Leonard Bernstein's baton at Brandeis University in 1952. It was later used on Broadway. Other translations include those by Ralph Manheim and John Willett (1979), by noted Irish playwright and translator Frank McGuinness (1992), and by Jeremy Sams for a production at London's Donmar Warehouse in 1994




























